‘In The Hot Seat With FF Jensen’: main highlights

G’day to all of youse there,

It’s a shit of a day: my car needs some repairs and that costs $$$ that I didn’t quite like to spend. I’ll probably have to walk to the gym later, rather than drive, if the car isn’t fixed today. Grrrrr!!

In any case, good stuff does happen: Jenny Mosher from IndieMosh, my publishing facilitator, has transcribed the most interesting bits of the ‘In The Hot Seat With FF Jensen’ interview in a blog post on Online Village Blue Mountains.

For those of you who don’t like watching videos on YouTube, I can say that Jenny’s blog post is a pretty good (and quick) read. You can also appreciate how to-the-point her questions are.

Back to my car headache. Talk to you soon, FFJ

Dr Lindsay Duncan and the magic of quilts

Well, we finally made it! Dr Lindsay Duncan had lunch together last Thursday. If I had to mention all the very many topics of conversation that we discussed in … an hour and a half, give or take a few minutes, you’d be mightily surprised. Lindsay is a registered psychologist specialised in Private Subconscious-mind Healing (or PSH Therapy), a published author in the area of psychology and an editor. You can buy his excellent publications on Amazon.com.

His other ‘claim to fame’ is his artistic work, which starts with pottery and continues with quilting. We spoke about how his artistic life changed after losing two pottery workshops. After his divorce, he moved out of the property where he used to run his first workshop. He was the Sub-Dean of the Faculty of Creative Arts and Head of Ceramics at the University of Wollongong for 15 years, where he ran his second workshop. A flood destroyed that workshop, and unfortunately it wasn’t reopened. It was then that Lindsay’s creative life took a turn in a different direction, from pottery to quilting.

I can hear you say ‘wow’. From pottery to quilting. Lindsay explains:

When I was growing up, my mother had a cupboard that was full of different kinds of fabric. As a child I loved the colours and textures.

This ‘childhood connection’ seems to fuel many artists’ creative lives in adulthood. The same artist can live several creative lives in their lifetime. Creativity is an inner fire that transforms itself and doesn’t stop burning—even if there’s a flood!

I leave you to appreciate the beauty of some Lindsay’s work for his latest exhibition ‘Chevronesque’ (Hat Hill Gallery, Blackheath, from June 7th to June 29th 2014).

orange_wave
‘Orange Wave’, from Chevronesque. Copyright Dr Lindsay Duncan.
'Saigon Blue', from Chevronesque. Copyright Dr Lindsay Duncan.
‘Saigon Blue’, from Chevronesque. Copyright Dr Lindsay Duncan.
saigon_pink
‘Saigon Pink’, from Chevronesque. Copyright Dr Lindsay Duncan.

Tassie!

I can’t help but rejoice after the good news that the World Heritage Committee has rejected the Abbott government’s dishonest and politically motivated attempt to de-list 74,000 of Tasmania’s World Heritage Area.

I visited Tasmania for the first time way back in 1997, long before I moved to Sydney for good. It made an everlasting impression—a unique, pristine environment blessed by Nature in so many ways. My second trip to Tasmania was in 2006, a few months after I became an Australian citizen, and I do hope I’ll go there again soon.

As a way to celebrate the World Heritage’s Decision, I’d like to share a few of my favourite snaps with you. Enjoy! FFJ

blowhole
Geological curiosities: a blowhole.
cape raoul
Difficult to reach: Cape Raoul.
Tesselated pavement
More geological curiosities: Tessellated pavement.
wallaby2
Freycinet National Park: a black wallaby.
Wineglass Bay
Freycinet National Park: Wineglass Bay (aerial view).

The literary bullshit artist

Sometimes I find myself googling up words for no other reason than the fact that I’m a linguistic nerd. It all started in my childhood, when I’d get my kicks out of reading my dad’s English-Spanish / Spanish-English dictionary. I’d go through pages and pages of words, aimlessly, for no other reason than discovering words I liked, or didn’t like, or to fill some information gap in my brain cells. Earlier than that, I’d got into the habit of looking up just ANYTHING in my dad’s encyclopedias.

In 1996 I got my first Internet connection: 12 hours a month for U$S 150. In spite of the high cost, I continued with my ‘look up’ habits. Since then I haven’t stopped, hehehe! So last Sunday I decided to enter the expression ‘bullshit artist’ into the Google search field. Apart from some dictionary definitions (nice!), I found this article that was really inspiring in more ways than one: 10 Ways To Avoid Being Labeled A Bullshit Artist.  Scott Ginsberg, the author, has dissected the bullshit artist to an extent that my high school zoology teacher would love. Here’s a bullet point list that we should all print out and stick on our office walls. It’s about the fine lines that bullshit artists walk on.

a. In-demand doesn’t mean highly paid – popularity doesn’t necessarily indicate profitability.
b. Passionate doesn’t mean productive – some fires just burn with no purpose.
c. Cool doesn’t mean useful – baseline remarkability isn’t enough.
d. Desirable doesn’t mean satisfying – sustainability is the secret.
e. Activity doesn’t mean accomplishment – there’s a difference between motion and progress.
f. Attention doesn’t mean conversion – web hits are an acronym for “How Idiots Track Sales.”
g. Creativity doesn’t mean innovation – one is a state of being, the other is a practice of action.
h. Dazzling doesn’t mean sustainable – shtick must be supported by substance.
i. Knowledge doesn’t mean wisdom – information is worthless until applied and LIVED.
j. Experience doesn’t mean expertise – only reflection upon that experience does.

Useful, eh?

Now, here comes my two cents to the discussion on bullshit artists, but in this case I’ll be talking about the LBA or literary bullshit artist.

  • The I’m-gonna-write-a-novel-someday bullshit artist: This is the typical person who says ‘I’ve always wanted to write a novel and one of these days I may do it’ as soon as they meet a writer.
  • The Blah-Blah bullshit artist: this chatterbox carries on endlessly about what he/she is writing about, what they’re thinking of writing about, what they could write about, what they would write about, and what they would have loved to write about had they been born in the seventeenth century. They appear to suffer from writer’s blah, in the words of Erin M Fry. If you see this type coming towards you, run for the hills.
  • The I-don’t-give-a-stuff-about-grammar bullshit artist: I had the painful experience of meeting one of them at a writing workshop. He called himself a ‘poet’, but I beg to differ. All his verses were a mishmash, with no rhyme or rhythm to speak of, sprinkled with badly used apostrophes in plural words (his poetry was choc-a-block with breast’s and lip’s). If you’re going to break the (grammar) rules, you may just as well be aware of what the hell it is you’re ‘breaking’.
  • The I-don’t-need-an-editor bullshit artist: Ha! This pedigree type is right up my street. NOT, he! They believe editors ‘stifle your creativity and corrupt your writing’. Their arrogance knows no bounds and turns them into literary laughingstocks. In the current literary climate, this is by far the most common type of LBA. They publish e-books that only their mother could buy (and read).
  • The I-won’t-do-research-for-my-novel bullshit artist: Their work is dangerously based on false premises and believe that doing research is against literary creation. Ha! How can anyone possibly write about, say, an earlier historical period without conducting some basic research on how people lived at the time? Of course, as a writer you’re entitled to indulge in as much fantasy as you like, but if your novel is about the Second World War, make sure your characters don’t send emails to their loved ones on the war front from their latest, state-of-the-art tablets—unless you’re writing some kind of sci-fi fantasy, of course.

You may wonder what in the devil’s name is my rub with LBA’s. For a start, our lifespans are limited. Time is of the essence, and once you waste it, it won’t come back. Besides, some of these people can be toxic attention-seekers. I’ve met a few of them, and they should be managed respectfully, but at a distance, unless you want to write a satirical piece about them, in which case you’ll need to play their game for a while. Last but not least, LBA’s don’t add anything to our experience, either as human beings or as writers. Once you get stuck with their Fifty Shades (or more) of Bullshit, they squeeze the life out of you.

Literary Bullshit Artists suck!