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The literary bullshit artist

Sometimes I find myself googling up words for no other reason than the fact that I’m a linguistic nerd. It all started in my childhood, when I’d get my kicks out of reading my dad’s English-Spanish / Spanish-English dictionary. I’d go through pages and pages of words, aimlessly, for no other reason than discovering words I liked, or didn’t like, or to fill some information gap in my brain cells. Earlier than that, I’d got into the habit of looking up just ANYTHING in my dad’s encyclopedias.

In 1996 I got my first Internet connection: 12 hours a month for U$S 150. In spite of the high cost, I continued with my ‘look up’ habits. Since then I haven’t stopped, hehehe! So last Sunday I decided to enter the expression ‘bullshit artist’ into the Google search field. Apart from some dictionary definitions (nice!), I found this article that was really inspiring in more ways than one: 10 Ways To Avoid Being Labeled A Bullshit Artist.  Scott Ginsberg, the author, has dissected the bullshit artist to an extent that my high school zoology teacher would love. Here’s a bullet point list that we should all print out and stick on our office walls. It’s about the fine lines that bullshit artists walk on.

a. In-demand doesn’t mean highly paid – popularity doesn’t necessarily indicate profitability.
b. Passionate doesn’t mean productive – some fires just burn with no purpose.
c. Cool doesn’t mean useful – baseline remarkability isn’t enough.
d. Desirable doesn’t mean satisfying – sustainability is the secret.
e. Activity doesn’t mean accomplishment – there’s a difference between motion and progress.
f. Attention doesn’t mean conversion – web hits are an acronym for “How Idiots Track Sales.”
g. Creativity doesn’t mean innovation – one is a state of being, the other is a practice of action.
h. Dazzling doesn’t mean sustainable – shtick must be supported by substance.
i. Knowledge doesn’t mean wisdom – information is worthless until applied and LIVED.
j. Experience doesn’t mean expertise – only reflection upon that experience does.

Useful, eh?

Now, here comes my two cents to the discussion on bullshit artists, but in this case I’ll be talking about the LBA or literary bullshit artist.

  • The I’m-gonna-write-a-novel-someday bullshit artist: This is the typical person who says ‘I’ve always wanted to write a novel and one of these days I may do it’ as soon as they meet a writer.
  • The Blah-Blah bullshit artist: this chatterbox carries on endlessly about what he/she is writing about, what they’re thinking of writing about, what they could write about, what they would write about, and what they would have loved to write about had they been born in the seventeenth century. They appear to suffer from writer’s blah, in the words of Erin M Fry. If you see this type coming towards you, run for the hills.
  • The I-don’t-give-a-stuff-about-grammar bullshit artist: I had the painful experience of meeting one of them at a writing workshop. He called himself a ‘poet’, but I beg to differ. All his verses were a mishmash, with no rhyme or rhythm to speak of, sprinkled with badly used apostrophes in plural words (his poetry was choc-a-block with breast’s and lip’s). If you’re going to break the (grammar) rules, you may just as well be aware of what the hell it is you’re ‘breaking’.
  • The I-don’t-need-an-editor bullshit artist: Ha! This pedigree type is right up my street. NOT, he! They believe editors ‘stifle your creativity and corrupt your writing’. Their arrogance knows no bounds and turns them into literary laughingstocks. In the current literary climate, this is by far the most common type of LBA. They publish e-books that only their mother could buy (and read).
  • The I-won’t-do-research-for-my-novel bullshit artist: Their work is dangerously based on false premises and believe that doing research is against literary creation. Ha! How can anyone possibly write about, say, an earlier historical period without conducting some basic research on how people lived at the time? Of course, as a writer you’re entitled to indulge in as much fantasy as you like, but if your novel is about the Second World War, make sure your characters don’t send emails to their loved ones on the war front from their latest, state-of-the-art tablets—unless you’re writing some kind of sci-fi fantasy, of course.

You may wonder what in the devil’s name is my rub with LBA’s. For a start, our lifespans are limited. Time is of the essence, and once you waste it, it won’t come back. Besides, some of these people can be toxic attention-seekers. I’ve met a few of them, and they should be managed respectfully, but at a distance, unless you want to write a satirical piece about them, in which case you’ll need to play their game for a while. Last but not least, LBA’s don’t add anything to our experience, either as human beings or as writers. Once you get stuck with their Fifty Shades (or more) of Bullshit, they squeeze the life out of you.

Literary Bullshit Artists suck!

In The Hot Seat With FF Jensen

https://www.youtube.com/watch?v=SHhTacgSSb4

Finally, after an impeccable post-production, here’s the 30 minute interview: Jenny Mosher, in The Hot Seat With FF Jensen.

(imagine a drum roll here :-))

I would wish to thank Jenny, Ally, Sarah and Josh for the opportunity ‘to burn my arse off’ in The Hot Seat. Mind you, I’d do that again any day!

Get yourselves a glass of red or white, or any other drink of your preference and enjoy. Catcha later, FF 🙂

Back after a while…

Here I am, after some writing activity of a different kind: a highly involved translation. I have to admit I’m not a very good multitasker, particularly when it comes to writing projects, translations and sorting out my ‘day job’, the one that pays the bills. Not that I don’t try …

Next week I’ll have to return to my ‘day’ job and I’m dreading it. The mere thought of it has given me a headache and some kind of gastric ‘malfunction’. All the same, my thoughts are still clear enough to separate the wheat from the chaff and I can still put a finger on where the problem lies.

Leaving aside blatant exploitation or slavery, which isn’t the case here, there are two factors that may turn going to work into a nightmarish experience: a) the nature of the work in itself; b) the politics, including interactions between coworkers.

In my case, it’s only b) that gives me the shits; I can’t complain about a) because I actually love what I do. Teaching at one of the most important universities in the Sydney area brings in a lot of positives, for example my students. They are bright, witty and switched on. I do get the odd troublemaker, but with all my experience as a teacher I have learned to deal with those. I can hardly say that my job is a soul-destroying one from that point of view.

When it comes to a nightmarish job, my short story The Clique illustrates a situation that includes mobbing and bullying. Very unfortunately that sort of situation is quite common and damaging.

Sigmund Freud said, Love and work are the cornerstones of our humanness. He wasn’t far off the mark, but I’d like to add that it all depends on who you love and who you work with …

What a headache! I need to lie down. Thanks for reading my rant! FFJ

People who put down other people’s work (or CXWORX) suck!

How wonderful that Les Mills has ‘packaged’ a few good old training principles and created a popular world-wide brand!

Tube and plate used in CXWORX classes. by Merri, available at https://www.flickr.com/photos/shockinglytasty/. Commons Attribution 2.0. Full terms at http://creativecommons.org/licenses/by/2.0
Tube and plate used in CXWORX classes. by Merri, available at https://www.flickr.com/photos/shockinglytasty/. Commons Attribution 2.0. Full terms at http://creativecommons.org/licenses/by/2.0

How very usual (and terrible) that some envious humans absolutely have to pooh-pooh such brands. Case in point: I’ve started exchanging emails with a PE teacher who has done research on the benefits of physical exercise and bipolar disorder. This gentleman’s work seems pretty interesting, but I’m no expert in the field of physical exercise. I just bust myself doing what I like, which has enormous physical and mental benefits. One of my favourite classes is CXWORX, a half-hour core muscle blaster that leaves me exhausted but happy—not to mention that my core has improved heaps over time.

While exchanging emails today, we discussed the benefits of physical exercise for people who suffer from bipolar disorder, like Lena Foch, the main female character in my novel ‘Bittersweet Symphony’.  For some odd reason, we started discussing my fitness routine (poor Lena, we forgot all about her!) and I sent this gentleman a link to a CXWORX video. I normally do that: give people as much information as I possibly can, including links.

This guy’s response astonished me: he said something about there being nothing new in that form of training (he could’ve knocked me down with a feather, really …), that it’s called ‘circuit’ (ohmyGod! FF, you’re such an ignoramus!) and that it was used by Sylvester Stallone (oh! how very, very interesting!—yawn!). Then Mr PE Teacher finished off by saying, ‘Oh, if it’s good for you, go ahead, hahahaha!’

Hahahaha??

It suddenly dawned on me: lots of so-called ‘experts’ in a field will put down whatever others contribute. It’s highly likely this gentleman considers that Les Mills’ commercial success flies in the face of ‘good’ training. I don’t know if I’ll bother replying to that email, but what I do know is that a) CXWORX is good training; b) it’s given by certified instructors who know what they do; c) it’s the sort of training that’s available to me where I live. There are other classes at KSAC (Katoomba Sports and Aquatic Centre) that I also like, which would have probably received the same ‘hahahaha’ treatment had I mentioned them in that email.

Cutting to the chase, the content of this gentleman’s email (‘hahahaha’ included) exudes what I call the Antonio Sallieri complex: oh, someone’s done something better than I have, if the world considers that they’re surely more talented and experienced than I am, it’ll be the end of me! So I’ve got to put them down and expect that the public considers me the really good one, the ‘real deal’. Gah!

I just came back from my CXWORX training, feeling great, but I thought I’d share my insights into what I believe is a sad, sad, sad human reality:  belittling someone else (or their work), so that our own appears to be better in our eyes. Weird … Hahahahaha!  FFJ 🙂

To spammers with ‘love’ :-(

Hi there, you online peddler of different wares,

I’m not interested in what you sell at all. This isn’t a website that sells anything, unless you’re prepared to pay for advertising space. Even in that case, I’d still probably refuse to approve your ‘posts’. There are lots of places online where you can spam the world population to exhaustion.

"The Way of the Exploding Fist" by Feans, available at https://www.flickr.com/photos/endogamia/. Commons Attribution 2.0. Full terms at http://creativecommons.org/licenses/by/2.0
“The Way of the Exploding Fist” by Feans, available at https://www.flickr.com/photos/endogamia/. Commons Attribution 2.0. Full terms at http://creativecommons.org/licenses/by/2.0

Have a great day and stop trying to spam me. I bet you understand what I mean … Go and bother people elsewhere, FFJ